Since the public premiere of Ernesto Halffter’s Sinfonietta, critics and scholars alike have sought to trace the influence of Halffter’s teacher, Manuel de Falla, on the work, as the piece bears striking similarities to various pieces by Falla. Although Halffter had studied previously with Falla, a thorough examination of correspondence between the two composers shows that despite attempts by Halffter to show the piece to Falla, the latter did not become acquainted with the Sinfonietta until after a first version was premiered. From 1926 to 1927 Halffter received advice from Falla about revisions to the work, but it is unclear what suggestions Falla made. In any case, it is clear that Halffter emulated his teacher in the Sinfonietta. Halffter modeled the work on the music of Falla, particularly on Falla’s Concerto for Harpsichord and El sombrero de tres picos. A comparison of passages from the Sinfonietta with these pieces by Falla shows that Halffter borrowed and reworked melodic outlines, accompanimental textures, ostinato rhythms, cadential chord progressions, rhythmic motives, and meters. Subtle allusions to El sombrero de tres picos can also be found in the Sinfonietta. Due to Halffter’s great familiarity with the music of Falla, the striking resemblances between the Sinfonietta and the music of Falla were undoubtedly intentional.

Works: Ernesto Halffter: Sinfonietta.

Sources: Manuel de Falla: Concerto for Harpsichord (158-62, 165), El retablo de maese Pedro (162-65), El sombrero de tres picos (165-66).

Index Classifications: 1900s

Contributed by: Christine Wisch