This article explores the dynamics of unconscious quotation. The main theme of Rachmaninoff's Third Piano Concerto is based upon a chant of the Russian Orthodox church. Rachmaninoff probably heard the chant during a visit to the Kievan-Petchersk Lavra in 1893. The concerto was composed in 1909. Thus it took some sixteen years for the tune to be unconsciously regenerated as the theme for his concerto. Of special interest is Rachmaninoff's reply to a letter sent to him by Yasser which demonstrates that Rachmaninoff was not conscious of the relationship between his theme and the chant. Rachmaninoff did, however, acknowledge the influence of liturgical and folk music on his music.

Index Classifications: 1900s

Contributed by: David C. Birchler