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[+] Adelboldus – Musica (ademus)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:303–12.

[+] Adelboldus – Musica (ademusi)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 140:1109–20.

[+] Adelboldus – Epistola cum tractatu de musica instrumentali humanaque ac mundana (adetra)

Source: Adalboldi episcopi Ultraiectensis Epistola cum tractatu de musica instrumentali humanaque ac mundana, ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/II (Buren: Knuf, 1981), 12–29.

[+] Anonymous – Ad organum faciendum (adorf)

Source: Jay A. Huff, ed. and trans., Ad organum faciendum et Item de organo, Musical Theorists in Translation, vol. 8 (Brooklyn, NY: Institute of Mediaeval Music, [1963]), 41–67 (odd).

[+] Anonymous – Ad organum faciendum (adorfa)

Source: Edmond de Coussemaker, Histoire de l''harmonie au moyen-age (Paris: V. Didron, 1852), 226–43.

[+] Anonymous – Ad organum faciendum (adorfac)

Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 45–49 and 111–15.

[+] Anonymous – [Ad organum faciendum] (adorfba)

Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 149–50.

[+] Anonymous – [Ad organum faciendum] (adorfbb)

Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 159–60.

[+] Anonymous – [Ad organum faciendum] (adorfbr)

Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 175.

[+] Anonymous – Alia musica (aliamu)

Source: Jacques Chailley, ed., Alia musica (Traité de musique du IXe siècle): Edition critique commentée avec une introduction sur l''origine de la nomenclature modale pseudo-grecque au Moyen-Age (Paris: Centre de documentation universitaire et Société d''édition d''enseignement supérieur réunis, 1965), 85–88, 90–97, 99–111, 113–18, 120–30, 133–45, 147–74, 176–81, and 183–212.

[+] Anonymous – Alia musica (alimu)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:929–58.

[+] Anonymous – Alia musica (alimus)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:125–52.

[+] Anonymous – Alia musica (alimusi)

Source: Edmund Brooks Heard, "Alia musica: A Chapter in the History of Music Theory" (PhD diss., University of Wisconsin, 1966), 119–229 (odd only).

[+] Anonymous – Liber argumentorum (anoarg)

Source: Expositiones in Micrologum Guidonis Aretini, ed. Joseph Smits van Waesberghe, Musicologica medii aevi, vol. 1 (Amsterdam: North-Holland Publishing Company, 1957), 19–30.

[+] Anonymous – De cantibus quae supra modum intenduntur vel remittuntur (anocan)

Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 87–89.

[+] Anonymous – Commemoratio brevis de tonis et psalmis modulandis (anocbt)

Source: Terence Bailey, ed., Commemoratio brevis de tonis et psalmis modulandis: Introduction, Critical Edition, Translation, Ottawa Mediaeval Texts and Studies, vol. 4 (Ottawa: University of Ottawa Press, 1979), 26–106 (even only).

[+] Anonymous – [Compilatio Caroloruhensis] (anocc)

Source: Christian Meyer, "Aus der Werkstatt des Kompilators," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 2, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 13 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1997), 7–9.

[+] Anonymous – Commemoratio brevis de tonis et psalmis modulandis (anocmb)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 157–78.

[+] Anonymous – Commemoratio brevis de tonis et psalmis modulandis (anocobr)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:1025–42.

[+] Anonymous – Commemoratio brevis de tonis et psalmis modulandis (anocomb)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:213–29.

[+] Anonymous – Commentum super tonos (anocst)

Source: De numero tonorum litterae episcopi A. ad coepiscopum E. missae ac Commentum super tonos episcopi E. (ad 1000), ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/I (Buren: Knuf, 1975), 24–93 (even pages only).

[+] Anonymous – Commentum super tonos (anocsto)

Source: De numero tonorum litterae episcopi A. ad coepiscopum E. missae ac Commentum super tonos episcopi E. (ad 1000), ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/I (Buren: Knuf, 1975), 24–93 (odd pages only).

[+] Anonymous – De dimensione monocordi (anoddm)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 179–81.

[+] Anonymous – [Dialogus de organo et tractatulus de cantu] (anodia)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 214–21.

[+] Anonymous – De modis musicis (anodm)

Source: Terence Bailey, "De modis musicis: A New Edition and Explanation," Kirchenmusikalisches Jahrbuch 61-62 (1977-78): 47-60, 50–54.

[+] Anonymous – De modorum formulis et tonarius (anodmf)

Source: Anonymi de modorum formulis et tonarius, ed. Clyde W. Brockett, Corpus scriptorum de musica, vol. 37 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 46–128.

[+] Anonymous – De musica et de transformatione specialiter (anodmt)

Source: Heinrich Sowa, Quellen zur Transformation der Antiphonen: Tonar- und Rhythmusstudien (Kassel: Bärenreiter, 1935), 154–60.

[+] Anonymous – Dulce ingenium (Versio Parisiensis et Brugensis) (anodul)

Source: Anonymi saeculi decimi vel undecimi tractatus de musica "Dulce ingenium musicae," ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 6 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1987), 14–26.

[+] Anonymous – Dulce ingenium (Versio Pragensis) (anodul2)

Source: Anonymi saeculi decimi vel undecimi tractatus de musica "Dulce ingenium musicae," ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 6 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1987), 27–43.

[+] Anonymous – Ecce modorum sive tonorum auspice Christo incipit ordo (anoecc)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 182–84.

[+] Anonymous – De enquiriadis monocordi divisione (anoemd)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 239.

[+] Anonymous – Inchiriadon Uchubaldi Francigenae (anoinc)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 187–205.

[+] Anonymous – De organo (anoincor)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 205–13.

[+] Anonymous – Libellus tonarius (anolit)

Source: Heinrich Sowa, Quellen zur Transformation der Antiphonen: Tonar- und Rhythmusstudien (Kassel: Bärenreiter, 1935), 81–154.

[+] Anonymous – Compositio monocordi secundum Enchiriadem (anome1a)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 233–35 (left column only).

[+] Anonymous – Compositio monocordi secundum Enchiriadem (anome1b)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 233–35 (right column only).

[+] Anonymous – Monocordum Domni Encheriadis (anome2)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 236–37.

[+] Anonymous – Divisio monocordi secundum enchiriadem (anome5)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 240.

[+] Anonymous – [Mensura monocordi VI] (anome6)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 241.

[+] Anonymous – [Mensura instrumenti organici] (anomenr)

Source: "Anonyme Mensur der Orgelpfeifen. (Ex codice Bernensi Martiani Capellae 56b. Mitgetheilt von Schubiger Spicilegien S. 82. X. Jahrhundert.)," in Studien zur Geschichte der Notenschrift, ed. Hugo Riemann (Leipzig: Breitkopf and Härtel, 1878), 300.

[+] Anonymous – De numeris musicis et de consonantiis (anomk)

Source: Christian Meyer, "Aus der Werkstatt des Kompilators," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 2, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 13 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1997), 10–12.

[+] Anonymous – Mensura monocordi (anommon)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 238.

[+] Anonymous – Monochordi mensura (anomonr)

Source: "Anonyme Monochordeintheilung. (Cod. Paull. 1493, fol. 52b.)," in Studien zur Geschichte der Notenschrift, ed. Hugo Riemann (Leipzig: Breitkopf and Härtel, 1878), 301.

[+] Anonymous – Expositio de motu (anomov)

Source: Joseph Smits van Waesberghe, "De commentator anonymus in Micrologum Guidonis Aretini en zijn verhouding tot de Luiksche muziekschool," in Muziekgeschiedenis de Middeleeuwen, 3 vols. (Tilburg: Bergmans, 1936–46), 1:154–70.

[+] Anonymous – [Mensura fistularum] (anoprg)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 224–32.

[+] Anonymous – [Mensura fistularum] (anoprir)

Source: "Anonyme Mensur der Orgelpfeifen. (Cod. Paull. 1493. Fol. 61a.)," in Studien zur Geschichte der Notenschrift, ed. Hugo Riemann (Leipzig: Breitkopf and Härtel, 1878), 301.

[+] Anonymous – Quid est cantus? (anoquid)

Source: Peter Wagner, "Un piccolo trattato sul canto ecclesiastico," Rassegna gregoriana 3 (1904): 481–84, 482–84.

[+] Anonymous – Quomodo de arithmetica procedit musica (anoquo)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:55–61.

[+] Anonymous – Quomodo de arithmetica procedit musica (anoquom)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:435–44.

[+] Anonymous – Liber specierum (anospeg)

Source: Expositiones in Micrologum Guidonis Aretini, ed. Joseph Smits van Waesberghe, Musicologica medii aevi, vol. 1 (Amsterdam: North-Holland Publishing Company, 1957), 31–58.

[+] Anonymous – [Miscellanea] (anospi)

Source: Karl-Werner Gümpel, "Spicilegium Rivipullense," Archiv für Musikwissenschaft 35 (1978): 57-61, 57–61.

[+] Anonymous – Item versi eiusdem acute divisionis (anovers)

Source: Tilden A. Russell, "A Poetic Key to a Pre-Guidonian Palm and the Echemata," Journal of the American Musicological Society 34 (1981): 109-118, 110.

[+] Anonymous – Tractatus (becano)

Source: Adolf Becker, "Ein Erfurter Traktat über gregorianische Musik," Archiv für Musikwissenschaft 1 (1918-19): 145-165, 151–61.

[+] Anonymous – Cologne Organum Treatise (colorg)

Source: Hans Müller, ed., Hucbalds echte und unechte Schriften über Musik (Leipzig: B. G. Teubner, 1884), 79–80.

[+] Anonymous – Cologne Organum Treatise (colorgr)

Source: Hugo Riemann, Geschichte der Musiktheorie im IX.-XIX. Jahrhundert (Berlin: Hesse, 1898), 20.

[+] Anonymous – Cologne Organum Treatise (colorgs)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 222–23.

[+] Anonymous – [Lectio Guidonis] (guilec)

Source: Joseph Smits van Waesberghe, "Relazione inedita di una lezione di Guido d''Arezzo sulla teoria della musica," Note d''Archivio per la storia musicale 13 (1936): 38-51, 42–45.

[+] Anonymous – Musica enchiriadis (musenc)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:152–73.

[+] Anonymous – Musica enchiriadis (musench)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:957–82.

[+] Anonymous – Musica enchiriadis (musenci)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 1–29, 31–59.

[+] Anonymous – Vita Sancti Remigii (remvit)

Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 474–75.

[+] Anonymous – Scolica enchiriadis de arte musica (scench)

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 60–156.

[+] Anonymous – Scholia enchiriadis de arte musica (schen)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:981–1026.

[+] Anonymous – Scholia enchiriadis de arte musica (schenc)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:173–212.

[+] Anonymous I – Musica (ano1mu)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:673–82.

[+] Anonymous I – Musica (ano1mus)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:330–38.

[+] Aribo – De musica (aridem)

Source: Aribo, De musica, ed. J. Smits van Waesberghe, Corpus scriptorum de musica, vol. 2 ([Rome]: American Institute of Musicology, 1951), 1–72.

[+] Aribo – Musica (arimu)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 150:1307–46.

[+] Aribo – Musica (arimus)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:197–230.

[+] Aurelianus Reomensis – Musica disciplina (aurepi)

Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 343.

[+] Aurelianus Reomensis – Musica disciplina (aurmd)

Source: Aureliani Reomensis Musica disciplina, ed. Lawrence Gushee, Corpus scriptorum de musica, vol. 21 ([Rome]: American Institute of Musicology, 1975), 53–135.

[+] Aurelianus Reomensis – Musica disciplina, cap. VIII-XVI (aurmdap)

Source: Aureliani Reomensis Musica disciplina, ed. Lawrence Gushee, Corpus scriptorum de musica, vol. 21 ([Rome]: American Institute of Musicology, 1975), 136–53.

[+] Aurelianus Reomensis – Musica disciplina (aurmus)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:27–63.

[+] Aurelianus Reomensis – Musica disciplina (aurmusd)

Source: Joseph Perry Ponte III, "Aureliani Reomensis Musica disciplina: A Revised Text, Translation, and Commentary," 3 vols. (Ph.D. dissertation, Brandeis University, 1961), 2:1–199 (odd only).

[+] Bernelinus – Cita et vera divisio monochordi in diatonico genere (berndiv)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:312–30.

[+] Bernelinus – Cita et vera divisio monochordi in diatonico genere (berndivm)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:653–74.

[+] Berno Augiensis – De consona tonorum diversitate (berndct)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 142:1155–58.

[+] Berno Augiensis – De consona tonorum diversitate (berndctd)

Source: Franz-Josef Schmale, Die Briefe des Abtes Bern von Reichenau, Veröffentlichungen der Kommission für Geschichtliche Landeskunde in Baden-Württemberg A/6 (Stuttgart: W. Kohlhammer, 1961), 17–19.

[+] Berno Augiensis – De consona tonorum diversitate (berndec)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:114–24.

[+] Berno Augiensis – De mensurando monochordo (berndem)

Source: Bernonis Augiensis Abbatis De arte musica disputationes traditae: De mensurando monochordo, ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/VIa (Buren: Knuf, 1978), 27, 42–55, 59, 61, 65, 67, 71, 73, 75, 77, 84–85, 91–92, 95, 103–4,111–14, and 116–19.

[+] Berno Augiensis – Interpolationen (bernint)

Source: Bernonis Augiensis Abbatis De arte musica disputationes traditae: Quae ratio est inter tria opera de arte musica Bernonis Augiensis, ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/VIb (Buren: Knuf, 1979), 31–37.

[+] Berno Augiensis – Musica seu Prologus in Tonarium (bernmus)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 142:1097–1116.

[+] Berno Augiensis – Musica seu Prologus in Tonarium (bernpro)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:62–79.

[+] Berno Augiensis – Tonabius [sic] (bernto)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 142:1115–30.

[+] Berno Augiensis – Tonarius (bernton)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:79–91.

[+] Berno Augiensis – De varia psalmorum atque cantuum modulatione (bernvar)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:91–114.

[+] Berno Augiensis – De varia psalmorum atque cantuum modulatione (bernvarp)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 142:1131–54.

[+] Bertrandus Prudentius – De arte musica (bertarm)

Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 293–94, 297–303.

[+] Guido d'Arezzo – Epistola Guidonis Michaeli monacho de ignoto cantu (guiep)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:423–32.

[+] Guido d'Arezzo – Epistola Guidonis Michaeli monacho de ignoto cantu directa (guiepi)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:43–50.

[+] Guido d'Arezzo – Micrologus (guimic)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:2–24.

[+] Guido d'Arezzo – Micrologus (guimicb_mbbr2784)

Source: Brussels, Bibliothèque royale de Belgique / Koninklijke Bibliotheek van België, MS II.784, ff. 1r–20v.

[+] Guido d'Arezzo – Micrologus (guimicr)

Source: Guidonis Aretini Micrologus, ed. Joseph Smits van Waesberghe, Corpus scriptorum de musica, vol. 4 ([Rome]: American Institute of Musicology, 1955), 79–234.

[+] Guido d'Arezzo – Micrologus (guimicro)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:379–406.

[+] Guido d'Arezzo – De modorum formulis et cantuum qualitatibus (guimod)

Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:78–115.

[+] Guido d'Arezzo – Prologus in antiphonarium (guipran)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:34–42.

[+] Guido d'Arezzo – Prologus in antiphonarium (guipro)

Source: Tres tractatuli Guidonis Aretini: Guidonis "Prologus in Antiphonarium," ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/III (Buren: Knuf, 1975), 58–81.

[+] Guido d'Arezzo – Prologus in antiphonarium (guiprol)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:413–22.

[+] Guido d'Arezzo – Regulae rhythmicae (guireg)

Source: Guidonis Aretini "Regulae rhythmicae", ed. Joseph Smits van Waesberghe and Eduard Vetter, Divitiae musicae artis A/IV (Buren: Knuf, 1985), 92–133.

[+] Guido d'Arezzo – Regulae rhythmicae in antiphonarii sui prologum prolatae (guirr)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:25–34.

[+] Guido d'Arezzo – Regulae rhythmicae in antiphonarii sui prologum prolatae (guirrh)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:405–14.

[+] Guido d'Arezzo – De sex motibus vocum ad se invicem et dimensione earum (guisex)

Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:115–16.

[+] Heinricus Augustensis – Musica (heimus)

Source: Musica Domni Heinrici Augustensis magistri, ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/VII (Buren: Knuf, 1977), 35–53.

[+] Hermannus Contractus – Musica (hermus_mrsl1496)

Source: Rochester, Eastman School of Music, Sibley Library, MS 92.1100 (Wolffheim 1; acc. 149,667), 91–130.

[+] Hermannus Contractus – Musica (hermusb)

Source: Hermanni Contracti Musica, ed. W. Brambach (Leipzig: B. G. Teubner, 1884).

[+] Hermannus Contractus – Musica (hermuse)

Source: Musica Hermanni Contracti, ed. and trans. Leonard Ellinwood, Eastman School of Music Studies, no. 2 (Rochester, New York: Eastman School of Music, 1936).

[+] Hermannus Contractus – Musica (hermusg)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:125–49.

[+] Hermannus Contractus – Musica (hermusp)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 143:413–39.

[+] Hermannus Contractus – Versus ad discernendum cantum (herver)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:149–53.

[+] Hermannus Contractus – Versus ad discernendum cantum (herverp)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 143:439–44.

[+] Hieronymus [Ps.] – Epistola ad Dardanum (hierinst)

Source: Reinhold Hammerstein, "Instrumenta Hieronymi," Archiv für Musikwissenschaft 16 (1959): 117-134, 120–22, 124–25, 127, 129–31.

[+] Hucbald – De harmonica institutione (huchar)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:103–25.

[+] Hucbald – De harmonica institutione (hucharm)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:905–29.

[+] Hucbald – De organo (hucorg)

Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:74–78.

[+] Johannes Affligemensis – De musica cum tonario (johdem)

Source: Johannes Affligemensis, De musica cum tonario, ed. J. Smits van Waesberghe, Corpus scriptorum de musica, vol. 1 ([Rome]: American Institute of Musicology, 1950), 43–200.

[+] Johannes Affligemensis – Musica (johmu)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 150:1391–1430.

[+] Johannes Affligemensis – Musica (johmus)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:230–65.

[+] Notker – De musica (notdem)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:95–102.

[+] Notker – [De musica] (notdemu)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 131:1171–78.

[+] Notker – Quid singulae litterae (notlet)

Source: Jacques Froger, "L''Épitre de Notker sur les ''Lettres significatives'': Édition critique," Études grégoriennes 5 (1962):23-71, 69–70.

[+] Odo – Dialogus de musica (ododi)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:757–74.

[+] Odo – Dialogus de musica (ododia)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:251–64.

[+] Odo – Dialogus (ododial_mvbm8-24)

Source: Venice, Biblioteca Nazionale Marciana, MS lat. VIII.24 (3434), ff. 1r–7v.

[+] Odo – Intonarium (odoint)

Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:117–49.

[+] Odo – De musica (odomu)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:773–96.

[+] Odo – De musica (odomus)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:265–84.

[+] Odo – Quomodo organistrum construatur (odoor)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:815–16.

[+] Odo – Quomodo organistrum construatur (odoorg)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:303.

[+] Odo – Dialogus de musica, prologus (odopro)

Source: Michel Huglo, "Der Prolog des Odo zugeschriebenen ''Dialogus de Musica''," Archiv für Musikwissenschaft 28 (1971): 134-146, 138–39.

[+] Odo – Regulae super abacum (odore)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:807–14.

[+] Odo – Regulae super abacum (odoreg)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:296–302.

[+] Odo – Regulae de rhythmimachia (odorh)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:795–808.

[+] Odo – Regulae de rhythmimachia (odorhy)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:285–95.

[+] Odo – Tonarium (odoto)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:755–58.

[+] Odo – Tonarium (odoton)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:247–50.

[+] Odorannus de Sens – Liber opusculorum, capitula V-VI (odosens)

Source: Odorannus de Sens, Opera omnia: Textes édités, traduits et annotés par Robert-Henri Bautier et Monique Gilles, et, pour la partie musicologique, par Marie-Elisabeth Duchez et Michel Huglo (Paris: Centre national de la recherche scientifique, 1972), 150–225.

[+] Oliva de Ripoll – [Breviarium de musica] and [Versus monocordi] (olibrev)

Source: Karl-Werner Gümpel, "Das Breviarium de musica und Versus monocordi des Mönchs Oliba von Ripoll," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 2001), 110–19.

[+] Osbernus Cantuariensis (?) – De vocum consonantiis (osbmus)

Source: Codex Oxoniensis Bibl. Bodl. Rawl. C 270: Pars A, "De vocum consonantiis" ac "De re musica" (Osberni Cantuariensis?), ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/Xa (Buren: Knuf, 1979), 14–38.

[+] Rabanus Maurus – De universo, liber XVIII, caput IV (maudeu)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 111:495–500.

[+] Rabanus Maurus – De origine rerum (maumus)

Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 365–72.

[+] Regino Prumiensis – De harmonica institutione (regdhi)

Source: Edna Marie Le Roux, RSM, "The De harmonica and Tonarius of Regino of Prüm" (PhD diss., Catholic University of America, 1965), 22–84.

[+] Regino Prumiensis – Epistola de harmonica institutione (reghar)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:230–47.

[+] Regino Prumiensis – De harmonica institutione (reghari)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:483–502.

[+] Regino Prumiensis – Tonarius (regton)

Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:1–73.

[+] Regino Prumiensis – Tonarius (regtona)

Source: Edna Marie Le Roux, RSM, "The De harmonica and Tonarius of Regino of Prüm" (PhD diss., Catholic University of America, 1965), 137–294 and (left column only) 303–5.

[+] Remigius Altisiodorensis – Musica (remmus)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:63–94.

[+] Remigius Altisiodorensis – Musica (remmusi)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 131:931–64.

[+] Theogerus Metensis – Musica (themus)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:183–96.

[+] Theogerus Metensis – Musica (themusi)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 163:777–92.

[+] Willehelmus Hirsaugensis – Musica (wilmu)

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:154–82.

[+] Willehelmus Hirsaugensis – Musica (wilmus)

Source: Willehelmi Hirsaugensis Musica, ed. Denis Harbinson, Corpus scriptorum de musica, vol. 23 ([Rome]: American Institute of Musicology, 1975), 11–75.

[+] Willehelmus Hirsaugensis – Musica (wilmusi)

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 150:1147–78.

9th-11th Centuries Index