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12th Century Index

The Century Indices give access to all TML texts grouped by date. This is an improved version of the original TML indices with new sorting and filtering features.

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  • [+] Abbot GuidoRegulae de arte musica (abguram)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:150–92.

  • [+] Abbot GuidoRegulae organi (abgureg)

    Source: Cecily Sweeney, "The Regulae organi Guidonis Abbatis and 12th Century Organum/Discant Treatises," Musica disciplina 43 (1989): 27-30, 27–30.

  • [+] Al-FarabiDe ortu scientiarum, Dictio de cognoscenda causa unde orta est ars musice (farort)

    Source: Henry George Farmer, ed. and trans., Al-Farabi''s Arabic-Latin Writings on Music, Collection of Oriental Writers on Music, vol. 2 (Glasgow: The Civic Press, 1934; repr., London: Hinrichsen Edition Ltd., 1965), 44–48.

  • [+] Al-FarabiDe scientiis (farsci)

    Source: Max Haas, "Studien zur mittelalterlichen Musiklehre I: Eine Übersicht über die Musiklehre im Kontext der Philosophie des 13. und frühen 14. Jahrhunderts," in Aktuelle Fragen der musikbezogenen Mittelalterforschung: Texte zu einem Basler Kolloquium des Jahres 1975, Forum Musicologicum: Basler Beiträge zur Musikgeschichte, vol. 3, ed. Hans Oesch and Wulf Arlt (Winterthur: Amadeus Verlag, 1982), 420–21.

  • [+] Al-FarabiDe scientiis (farscie)

    Source: Henry George Farmer, ed. and trans., Al-Farabi''s Arabic-Latin Writings on Music, Collection of Oriental Writers on Music, vol. 2 (Glasgow: The Civic Press, 1934; repr., London: Hinrichsen Edition Ltd., 1965), 21–31.

  • [+] AnonymousArs musice armonie (anoarsma_mbufix54)

    Source: Basel, Universitätsbibliothek, MS F.IX.54, ff. 5r–8v.

  • [+] AnonymousTractatus cantandi graduale. Graduali Cisterciensi prologi instar praemissus (anocist)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 182:1151–54.

  • [+] AnonymousDe mensura fistularum in organis (anofis)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:283–87.

  • [+] AnonymousFragmenta musica (anofra2)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 185–94.

  • [+] AnonymousFragmenta musica (anofra3)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 275–79, 281–84, 286–88.

  • [+] AnonymousTractatus de musica (anofra5)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 355–62.

  • [+] Anonymous[Guidonis musica] (anogui_mbavr114)

    Source: Vatican City, Biblioteca Apostolica Vaticana, MS Reg. lat. 1146, ff. 9v–34v.

  • [+] Anonymous[Tractatus de musica] (anolaf)

    Source: Albert Seay, "An Anonymus [sic] Treatise from St. Martial," Annales Musicologiques 5 (1957): 7-42, 13–42.

  • [+] Anonymous[Marginalia] (anomarg)

    Source: Heinrich Sowa, "Zur Handschrift Clm 9921," Acta musicologica 5 (1933): 60-65; 107-20, 61–63, 65, 107–8, 110–11, 113–19.

  • [+] AnonymousMensura monochordi Boetii (anomen)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:344–48.

  • [+] AnonymousMensura monochordi Boetii (anommb)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:687–92.

  • [+] Anonymous[Tractatus de organo] (anomon)

    Source: Jacques Handschin, "Der Organum-Traktat von Montpellier," in Studien zur Musikgeschichte. Festschrift für Guido Adler zum 75. Geburtstag (Vienna: Universal, 1930), 50–51.

  • [+] AnonymousMonochordum Encheriadis (anomonen)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:693–94.

  • [+] Anonymous[Tractatus de organo] (anomont)

    Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 187–88.

  • [+] AnonymousExpositio de motu (anomot)

    Source: Joseph Smits van Waesberghe, "Een tweede anoniem Motus-commentaar," in Muziekgeschiedenis de Middeleeuwen, 3 vols. (Tilburg: Bergmans, 1936-46), 1:185–87.

  • [+] Anonymous[Tabula neumarum] (anoneum)

    Source: Hugo Riemann, Studien zur Geschichte der Notenschrift (Leipzig: Breitkopf und Härtel, 1878), taf. XXI.

  • [+] Anonymous[Tractatus de organo] (anoorg)

    Source: Fred Blum, "Another Look at the Montpellier Organum Treatise," Musica disciplina 13 (1959): 21-24, 21–24.

  • [+] AnonymousQuomodo organice moduletur (anoquoo)

    Source: Michael Bernhard, "Ein weiterer Text zur Klangschritt-Lehre," in Quellen und Studien zur Musiktheorie des Mittelalters, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 8 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1990), 68–70.

  • [+] AnonymousTonale (anotonn)

    Source: Armand Machabey, "''Tonale'' inédit du Graduel Manuscrit de Nevers," Revue de musicologie 10 (1926): 120-25, 120–25.

  • [+] AnonymousTractatuli (anotra17)

    Source: Codex Oxoniensis Bibl. Bodl. Rawl. C 270: Pars B, XVII Tractatuli a quodam studioso peregrino ad annum MC collecti, ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/Xb (Buren: Knuf, 1980), 33–41.

  • [+] AnonymousTractatus de musica et tonarius (anotrut)

    Source: A. Marcel J. Zijlstra and Nienke de Boer, eds., Tractatus de musica et tonarius e codice Bibliothecae Universitatis Ultraiectensis (Utrecht UB 406)  (Utrecht: Instituut voor Muziekwetenschap, 1993), 9–30.

  • [+] Anonymous[Versus de musica] (anovdm)

    Source: Hans Müller, "Bruchstücke aus der mittelalterlichen Musiktheorie," Vierteljahresschrift für Musikwissenschaft 1 (1885), 173–74.

  • [+] Anonymous[Versus de tonis] (anovdt)

    Source: Hans Müller, "Bruchstücke aus der mittelalterlichen Musiktheorie," Vierteljahresschrift für Musikwissenschaft 1 (1885), 172–73.

  • [+] Anonymous[Versus de musica] (anover)

    Source: S. A. van Dijk, "Saint Bernard and the Instituta Patrum of Saint Gall," Musica disciplina 4 (1950): 99-109, 109.

  • [+] AnonymousArs organi (arsorg)

    Source: Irving Godt and Benito V. Rivera, "The Vatican Organum Treatise: A Color Reproduction, Transcription, and Translation," in Gordon Athol Anderson (1929-1981) in memoriam von seinen Studenten, Freunden und Kollegen, 2 vols. (Henryville, PA: Institute of Mediaeval Music, 1984), 2:293–345/11.

  • [+] AnonymousEpistola Sancti Bernardi De revisione cantus Cisterciensis, et Tractatus cantum quem Cisterciensis Ordinis ecclesiae cantare (berepi)

    Source: Epistola S. Bernardi De revisione cantus Cisterciensis, et Tractatus Cantum quem Cisterciensis Ordinis ecclesiae cantare, ed. F. J. Guentner, Corpus scriptorum de musica, vol. 24 ([Rome]: American Institute of Musicology, 1974), 21–41.

  • [+] AnonymousTonale Sancti Bernardi (berton)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:265–77.

  • [+] AnonymousTonale Sancti Bernardi (bertona)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 182:1153–66.

  • [+] AnonymousCommentarius in Micrologum Guidonis Aretini (guicom)

    Source: Commentarius anonymus in Micrologum Guidonis Aretini, ed. P. Cölestin Vivell, O.S.B., Kais. Akademie der Wissenschaften in Wien, philosophisch-historische Klasse, Sitzungsberichte, 185/5 (Vienna: Hölder, 1917).

  • [+] AnonymousCommentarius in Micrologum Guidonis Aretini (guicoms)

    Source: Expositiones in Micrologum Guidonis Aretini, ed. Joseph Smits van Waesberghe, Musicologica medii aevi, vol. 1 (Amsterdam: North-Holland Publishing Company, 1957), 99–172.

  • [+] AnonymousDe musica et tonis tractatus (metano1)

    Source: Dominicus Mettenleiter, Musikgeschichte der Stadt Regensburg (Regensburg: Bössenecker, 1866), 13–21.

  • [+] AnonymousDe tractatu tonorum (schano)

    Source: Marius Schneider, Geschichte der Mehrstimmigkeit: Historische und phänomenologische Studien (Berlin: Gebrüder Bornträger, 1934; reprint ed., Tutzing: Hans Schneider, 1969), 106–18.

  • [+] AnonymousTractatus cuiusdam monachi de musica (wfanon1)

    Source: Johannes Wolf, "Ein anonymer Musiktraktat des elften bis zwölften Jahrhunderts," Vierteljahresschrift für Musikwissenschaft 9 (1893), 194–226.

  • [+] AnonymousArs musice (wfanon2)

    Source: Johannes Wolf, "Anonymi cujusdam Codex Basiliensis," Vierteljahresschrift für Musikwissenschaft 9 (1893), 410–12.

  • [+] AnonymousArs musyce (wfanon2b_mbufix54)

    Source: Basel, Universitätsbibliothek, MS F.IX.54, ff. 1r–4v.

  • [+] Anonymous IITractatus de musica (ano2tdm)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:338–42.

  • [+] Anonymous IITractatus de musica (ano2trdm)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:681–86.

  • [+] Anonymous IIIFragmentum musices (ano3fra)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:343–44.

  • [+] Anonymous IIIFragmentum musices (ano3fram)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:685–88.

  • [+] Bernardus abbatis ClareuallisInstitutio Sancti Bernardi abbatis Clareuallis quomodo cantare et psallere debeamus (berins)

    Source: Chrysogonus Waddell, "A Plea for the ''Institutio Sancti Bernardi quomodo cantare et psallere debeamus,''" in Saint Bernard of Clairvaux: Studies Commemorating the Eighth Centenary of His Canonization, ed. M. Basil Pennington, Cistercian Studies Series, no. 28 (Kalamazoo, MI: Cistercian Publications, 1977), 187–88.

  • [+] Eberhardus FrisingensisTractatus de mensura fistularum (ebetra)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:279–82.

  • [+] FrutolfusBreviarium de musica (frubre)

    Source: Frutolfi Breviarium de musica et Tonarius, ed. P. Cölestin Vivell, Akademie der Wissenschaften in Wien, Philosophisch-historische Klasse, Sitzungsberichte, vol. 188, no. 2 (Vienna: In Kommission bei A. Hölder, 1919), 26–113.

  • [+] FrutolfusBreviarium de musica, capitulum XI (frubrec)

    Source: Michael Bernhard, "Zur Überlieferung des 11. Kapitels in Frutolfs Breviarum," in Quellen und Studien zur Musiktheorie des Mittelalters, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 8 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1990), 40–67.

  • [+] FrutolfusRythmimachia (frurit)

    Source: R. Peiper, ed., "Fortolfi Rythmimachia," in Abhandlungen zur Geschichte der Mathematik, 9 vols. (Leipzig: B. G. Teubner, 1877-99), 3:169–97 and 228.

  • [+] FrutolfusTonarius (fruton)

    Source: Frutolfi Breviarium de musica et Tonarius, ed. P. Cölestin Vivell, Akademie der Wissenschaften in Wien, Philosophisch-historische Klasse, Sitzungsberichte, vol. 188, no. 2 (Vienna: In Kommission bei A. Hölder, 1919), 113–83.

  • [+] GerlandusFragmenta de musica (gerfra)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:277–78.

  • [+] Gundissalinus, DominicusDe divisione philosophiae, Liber decimus, "De musica" (gunddiv)

    Source: Dominicus Gundissalinus, De divisione philosophiae, ed. Ludwig Baur, Beiträge zur Geschichte der Philosophie des Mittelalters IV/2-3 (Münster: Aschendorff, 1903), 96–102.

  • [+] Joannes PresbyterDe musica antica et moderna (joamus)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 393–407.

  • [+] OdalschalchusRegistrum tonorum (odareg)

    Source: Philipp Jaffé, "Des Abtes Udalskalk van St. Ulrich in Augsburg Registrum Tonorum," Archiv für die Geschichte des Bisthums Augsburg 2 (1859): 68-78, 69–78.

  • [+] Roffredi, GuglielmoSumma musicae artis (roffsum)

    Source: Albert Seay, "Guglielmo Roffredi''s Summa musicae artis," Musica disciplina 24 (1970): 69-77, 71–77.

  • [+] Rudolf of St. TrondQuaestiones in musica (rudqua)

    Source: Rudolf Steglich, ed., Die Quaestiones in musica: Ein Choraltraktat des zentralen Mittelalters und ihr mutmasslicher Verfasser Rudolf von St. Trond (1070-1138) (Leipzig: Breitkopf und Härtel, 1911), 12–99.

  • [+] Theinredus DoverensisMusica, liber primus (tdmus1_mobb842)

    Source: Oxford, Bodleian Library, MS Bodley 842 (S.C. 2575), ff. 1r–18v.

  • [+] Theinredus DoverensisMusica, liber secundus (tdmus2_mobb842)

    Source: Oxford, Bodleian Library, MS Bodley 842 (S.C. 2575), ff. 18v–21r.

  • [+] Theinredus DoverensisMusica, liber tercius (tdmus3_mobb842)

    Source: Oxford, Bodleian Library, MS Bodley 842 (S.C. 2575), ff. 21r–44v.