Concordances with Grove’s “Anonymous Theoretical Writings’’

This page shows concordances between the catalog of “Anonymous theoretical writings” by Matthew Balensuela in Grove Music Online and the texts in the TML.

This concordance list has been compiled by the TML team in collaboration with Matthew Balensuela, with the aim to match the TML texts corresponding in whole or part to the treatises identified by Grove’s standard denominations. Note that not every title considered in Grove shows a correspondence with the TML. The list below reflects the catalog published in the New Grove Dictionary of Music and Musicians. Second Edition in 2001.

Expand a line to show the details and access the corresponding TML texts.

• [+] Grove Anonymous #2: Amon anon; Tractatus de musica cum glossis.

  • Anonymous – [Tractatus de musica cum glossis] (anohol3_mvnb4774)

    Source: Vienna, Nationalbibliothek, cod. pal. vind. 4774, ff. 35v–91r.

• [+] Grove Anonymous #3: Anglès anon.

  • Anonymous – Sub brevissimo compendio Philippus de Vitriaco in musica incipit (anoomd)

    Source: Philippi de Vitriaco Ars nova, ed. Gilbert Reaney, André Gilles, and Jean Maillard, Corpus scriptorum de musica, vol. 8 ([Rome]: American Institute of Musicology, 1964), 80–81.

  • Anonymous – Sub breuissimo compendio Philippo de Vitriaco in musica incipit (anoomde_msbclv30)

    Source: Siena, Biblioteca comunale, L.V.30, f. 129r–v.

  • Anonymous – Tractatus de musica (aganont)

    Source: Higini Angles, "Dos tractats medievals de musica figurada," in Musikwissenschaftliche Beiträge: Festschrift für Johannes Wolf zu seinem sechzigsten Geburtstag, ed. W. Lott, H. Osthoff, and W. Wolffheim (Berlin: Breslauer, 1929): 6–10.

• [+] Grove Anonymous #4: Anglès anon.

  • Anonymous – De cantu organico (aganoco)

    Source: H. Angles, "De cantu organico: tratado de un autor catalán del siglo XIV," Anuario musical 13 (1958): 18–24.

• [+] Grove Anonymous #5: Bailey anon.; De modis musicis.

  • Anonymous – De modis musicis (anodm)

    Source: Terence Bailey, "De modis musicis: A New Edition and Explanation," Kirchenmusikalisches Jahrbuch 61-62 (1977-78): 50–54.

• [+] Grove Anonymous #6: Bartha anon.

  • Anonymous – [Tractatus de musica] (anopro)

    Source: Dénes von Bartha, "Studien zum musikalischen Schrifttum des 15. Jahrhunderts," Archiv für Musikforschung 1 (1936): 180–99.

• [+] Grove Anonymous #7: Becker anon.

  • Anonymous – Tractatus (becano)

    Source: Adolf Becker, "Ein Erfurter Traktat über gregorianische Musik," Archiv für Musikwissenschaft 1 (1918-19): 151–61.

• [+] Grove Anonymous #8: Bernhard anon.

  • Anonymous – Dulce ingenium (Versio Parisiensis et Brugensis) (anodul)

    Source: Anonymi saeculi decimi vel undecimi tractatus de musica "Dulce ingenium musicae," ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 6 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1987): 14–26.

  • Anonymous – Dulce ingenium (Versio Pragensis) (anodul2)

    Source: Anonymi saeculi decimi vel undecimi tractatus de musica "Dulce ingenium musicae," ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 6 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1987): 27–43.

• [+] Grove Anonymous #9: Bernhard anon.

  • Anonymous – Quomodo organice moduletur (anoquoo)

    Source: Michael Bernhard, "Ein weiterer Text zur Klangschritt-Lehre," in Quellen und Studien zur Musiktheorie des Mittelalters, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 8 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1990): 68–70.

• [+] Grove Anonymous #10: Brearley and Wray anonymi.

  • Guido d'Arezzo – Micrologus (guimicr)

    Source: Guidonis Aretini Micrologus, ed. J. Smits van Waesberghe, Corpus scriptorum de musica, vol. 4 ([Rome]: American Institute of Musicology, 1955), 79–234.

• [+] Grove Anonymous #11: Briner anon.

  • Anonymous – [Tractatus de musica] (anophil)

    Source: Andres Briner, "Ein anonymer unvollständiger Musiktraktat des 15. Jahrhunderts in Philadelphia, USA," Kirchenmusikalisches Jahrbuch 50 (1966): 27–38.

• [+] Grove Anonymous #13: Casimiri anon.; Ars et modus pulsandi organa.

  • Anonymous – Ars et modus pulsandi organa secundum modum novissimum inventum per magistros musicos modernos (anoamp)

    Source: R. Casimiri, "Un trattatello per organisti di anonimo del sec. XIV," Note d'archivio per la storia musicale 19 (1942): 100–101.

  • Anonymous – Ars et modus pulsandi organa secundum modum nouissimum inuentum per magistros musicos modernos (anoampo_mbavb307)

    Source: Rome, Biblioteca Apostolica Vaticana, Barberini lat. 307, ff. 29v–30r.

• [+] Grove Anonymous #14: CoussemakerH, Anon.1 (Document 1; Ad organum faciendum [Milan organum treatise].

  • Anonymous – Ad organum faciendum (adorf)

    Source: Jay A. Huff, ed. and trans., Ad organum faciendum et Item de organo, Musical Theorists in Translation, vol. 8 (Brooklyn, NY: Institute of Mediaeval Music, Ltd., [1963]), 41–67 (odd).

  • Anonymous – Ad organum faciendum (adorfa)

    Source: Edmond de Coussemaker, Histoire de l'harmonie au moyen-age (Paris: V. Didron, 1852), 226–43.

  • Anonymous – Ad organum faciendum (adorfac)

    Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 45–49 and 111–15.

  • Anonymous – [Ad organum faciendum] (adorfbr)

    Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 175.

• [+] Grove Anonymous #16: CoussemakerH, Anon.3 ( (Document 3); Discantus vulgaris positio.

  • Anonymous – Discantus positio vulgaris (dispos)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:94–97.

  • Anonymous – Discantus positio vulgaris (disposi_mpbn1666)

    Source: Paris, Bibliothèque nationale, lat. 16663, ff. 64v–66v.

  • Anonymous – Discantus positio vulgaris (dispovu)

    Source: Hieronymus de Moravia, Tractatus de musica, ed. S. M. Cserba, Freiburger Studien zur Musikwissenschaft, vol. 2 (Regensburg: Pustet, 1935), 189–94.

  • Anonymous – Discantus vulgaris positio (disvul)

    Source: Edmond de Coussemaker, Histoire de l'harmonie au moyen-age (Paris: V. Didron, 1852), 247–53.

• [+] Grove Anonymous #17: CoussemakerH, Anon.4 (Document 4).

  • Gui de Chalis – Musica (guicha)

    Source: Edmond de Coussemaker, Histoire de l'harmonie au moyen-age (Paris: V. Didron, 1852), 255–58.

  • Abbot Guido – Regulae organi (abgureg)

    Source: Cecily Sweeney, "The Regulae organi Guidonis Abbatis and 12th Century Organum/Discant Treatises," Musica disciplina 43 (1989): 27–30.

• [+] Grove Anonymous #18: CoussemakerH, Anon.5 (Document 5);.De arte discantandi.

  • Anonymous – De arte discantandi (artdis)

    Source: Edmond de Coussemaker, Histoire de l'harmonie au moyen-age (Paris: V. Didron, 1852), 262–73.

• [+] Grove Anonymous #19: CoussemakerH, Anon.6 (Document 6); Quaedam de arte discantandi.

  • Anonymous – Quaedam de arte discantandi (anoqua)

    Source: Edmond de Coussemaker, Histoire de l'harmonie au moyen-age (Paris: V. Didron, 1852), 274–94.

  • Anonymous – Ars musicae mensurabilis secundum Franconem (anofig)

    Source: Petrus Picardus, Ars motettorum compilata breviter, ed. F. Alberto Gallo; Anonymus, Ars musicae mensurabilis secundum Franconem (Mss. Paris, Bibl. Nat., lat. 15129; Uppsala, Universiteitsbibl., C 55), ed. Gilbert Reaney and André Gilles; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Faenza, Biblioteca Comunale 117), ed. F. Alberto Gallo, Corpus scriptorum de musica, vol. 15 ([Rome]: American Institute of Musicology, 1971), 38–54 (even).

• [+] Grove Anonymous #20: CoussemakerS, i, Anon.1; Tractatus de consonantiis musicalibus.

  • Anonymous 1 – Tractatus de consonantiis musicalibus (ano1tra)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:296–302.

• [+] Grove Anonymous #21: CoussemakerS, i, Anon.2; Tractatus de discantu.

  • Anonymous 2 – Tractatus de discantu (ano2tra)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:303–19.

  • Anonymous II – Tractatus de discantu (anotdd)

    Source: Anonymous II, Tractatus de discantu, ed. Albert Seay, Texts/Translations, no. 1 (Colorado Springs: Colorado College Music Press, 1978), 2–62.

• [+] Grove Anonymous #22: CoussemakerS, i, Anon.3; De cantu mensurabili.

  • Anonymous – Tractatus de discantu (anotrdis)

    Source: Anonymus, De musica libellus (Ms. Paris, Bibl. Nat., lat. 6286); Anonymus, Tractatus de discantu (Ms. Saint-Dié, Bibl. Municipale, 42); Pseudo-Franco de Colonia, Compendium discantus (Ms. Oxford, Bodl. Libr., Bodley 842); Anonymus, Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 15139); Anonymus, Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 14741), ed., Gilbert Reaney, Corpus scriptorum de musica, vol. 36 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1996), 39–45.

  • Anonymous 3 – De cantu mensurabili (ano3dec)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:319–27.

  • Anonymous – Compendium musicae mensurabilis artis antiquae (anocmm)

    Source: Johannes dictus Balloce, Abreviatio magistri Franconis; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Saint-Dié, Bibl. Municipale, 42), ed. Gilbert Reaney; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Wien, Nationalbibl., 5003); Anonymus, Tractatus artis antiquae cum explicatione mensurae binariae (Ms. Wien, Nationalbibl., 5003), ed. Heinz Ristory, Corpus scriptorum de musica, vol. 34 (n.p.: American Institute of Musicology, 1987), 27–36.

• [+] Grove Anonymous #23: CoussemakerS, i, Anon.4; De mensuris et discantu.

  • Anonymous 4 – De mensuris et discantu (ano4dem)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:327–64.

  • Anonymous 4 – [Musica] (ano4mus)

    Source: Fritz Reckow, Der Musiktraktat des Anonymus 4, 2 vols., Beihefte zum Archiv für Musikwissenschaft, vols. 4-5 (Wiesbaden: Steiner, 1967), 1:22–89.

  • Anonymous – De sinemenis (anodes)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:364–65.

  • Anonymous – Sequitur de synemenis (anoseq)

    Source: Prosdocimo de' Beldomandi, Brevis summula proportionum quantum ad musicam pertinet and Parvus tractatulus de modo monacordum dividendi, ed. and trans. by Jan Herlinger, Greek and Latin Music Theory, vol. 4 (Lincoln: University of Nebraska Press, 1987), 126–34.

• [+] Grove Anonymous #24: CoussemakerS, i, Anon.5; De discantu.

  • Anonymous 5 – De discantu (ano5ded)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:366–68.

• [+] Grove Anonymous #25: CoussemakerS, i, Anon.6; Tractatus de figuris sive de notis.

  • Anonymous 6 – Tractatus de figuris sive de notis (ano6tra)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:369–77.

  • Anonymous – Tractatus de figuris sive de notis (tradef)

    Source: Ms. Oxford, Bodley 842 (Willelmus), Breviarium regulare musicae; Ms. British Museum, Royal 12. C. VI., Tractatus de figuris sive de notis; Johannes Torkesey, Declaratio trianguli et scuti, Corpus scriptorum de musica, vol. 12 ([Rome]: American Institute of Musicology, 1966), 40–51.

• [+] Grove Anonymous #26: CoussemakerS, i, Anon.7; De musica libellus.

  • Anonymous 7 – De musica libellus (ano7dem)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:378–83.

  • Anonymous – De musica libellus (anodml)

    Source: Anonymus, De musica libellus (Ms. Paris, Bibl. Nat., lat. 6286); Anonymus, Tractatus de discantu (Ms. Saint-Dié, Bibl. Municipale, 42); Pseudo-Franco de Colonia, Compendium discantus (Ms. Oxford, Bodl. Libr., Bodley 842); Anonymus, Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 15139); Anonymus, Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 14741), ed., Gilbert Reaney, Corpus scriptorum de musica, vol. 36 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1996), 19–35.

• [+] Grove Anonymous #27: CoussemakerS, ii, Anon.1; Tractatus de musica plana.

  • Monachus Carthusiensis – Tractatus de musica plana (cartra)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:434–83.

• [+] Grove Anonymous #28: CoussemakerS, ii, Anon.2; Tractatus de musica [Louvain Treatise, Löwener Traktat].

  • Anonymous – Tractatus de musica plana et organica (anomupo)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:484–98.

• [+] Grove Anonymous #29: CoussemakerS, iii, Anon.1; De musica antiqua et nova.

  • Anonymous I – De musica antiqua et nova (ano1dem)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:334–64.

• [+] Grove Anonymous #30: CoussemakerS, iii, Anon.2; De musica antiqua et nova.

  • Anonymous II – De musica antiqua et nova (ano2dem)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:364–70.

  • Anonymous – De valore notularum tam veteris quam novae artis (ano2dev)

    Source: Anonymus de valore notvlarum tam veteris qvam novae artis (Ms. Paris, Bibl. Nat., lat. 15128); Anonymus compendium mvsicae mensvrabilis tam veteris qvam novae artis (Ms. Paris, Bibl. Nat., lat. 15128); Anonymus de diversis maneriebvs in mvsica mensvrabili (Ms. Saint-Dié, Bibl. Municipale 42), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 30 (n.p.: American Institute of Musicology, 1982), 13–28.

  • Anonymous – [De valore notularum tam veteris quam novae artis] (ano2val_mpbn1512)

    Source: Paris, Bibliothèque nationale, lat. 15128, ff. 120r–122v.

• [+] Grove Anonymous #31: CoussemakerS, iii, Anon.3; Compendiolum artis veteris ac novae.

  • Anonymous III – Compendiolum artis veteris ac novae (ano3com)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:370–75.

  • Anonymous – [Compendiolum artis veteris ac novae] (ano3comp_mpbn1512)

    Source: Paris, Bibliothèque nationale, lat. 15128, ff. 127r–129r.

  • Anonymous – De arte musicae (anoart)

    Source: Philippi de Vitriaco Ars nova, ed. Gilbert Reaney, André Gilles, and Jean Maillard, Corpus scriptorum de musica, vol. 8 ([Rome]: American Institute of Musicology, 1964), 84–93.

• [+] Grove Anonymous #32: CoussemakerS, iii, Anon.4;.Compendium artis mensurabilis tam veteris quam novae.

  • Anonymous – Compendium musicae mensurabilis tam veteris quam novae artis (ano4cmm)

    Source: Anonymus de valore notvlarum tam veteris qvam novae artis (Ms. Paris, Bibl. Nat., lat. 15128); Anonymus compendium mvsicae mensvrabilis tam veteris qvam novae artis (Ms. Paris, Bibl. Nat., lat. 15128); Anonymus de diversis maneriebvs in mvsica mensvrabili (Ms. Saint-Dié, Bibl. Municipale 42), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 30 (n.p.: American Institute of Musicology, 1982), 33–41.

  • Anonymous IV – Compendium artis mensurabilis tam veteris quam novae (ano4com)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:376–79.

  • Anonymous – Si quis artem (ano4sqa_mpbn1512)

    Source: Paris, Bibliothèque nationale, lat. 15128, ff. 129r–130v.

• [+] Grove Anonymous #33: CoussemakerS, iii, Anon.5; Ars cantus mensurabilis mensurata per modos iuris.

  • Anonymous – Ars cantus mensurabilis mensurata per modos iuris (ano5acm)

    Source: Ars cantus mensurabilis mensurata per modos iuris, ed. and trans. C. Matthew Balensuela, Greek and Latin Music Theory, vol. 10 (Lincoln: University of Nebraska Press, 1994), 124–258 (even–numbered pages only).

  • Anonymous V – Ars cantus mensurabilis (ano5ars)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:379–98.

• [+] Grove Anonymous #34: CoussemakerS, iii, Anon.6; De musica mensurabili.

  • Anonymous VI – De musica mensurabili (ano6dem)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:398–403.

  • Anonymous – De figuris (anodef)

    Source: Johannis de Muris Notitia artis musicae et Compendium musicae practicae; Petrus de Sancto Dionysio Tractatus de musica, ed. Ulrich Michels, Corpus scriptorum de musica, vol. 17 ([Rome]: American Institute of Musicology, 1972), 160–66.

  • Petrus de Sancto Dionysio – Tractatus de Musica (psdtra)

    Source: Johannis de Muris Notitia artis musicae et Compendium musicae practicae; Petrus de Sancto Dionysio Tractatus de musica, ed. Ulrich Michels, Corpus scriptorum de musica, vol. 17 ([Rome]: American Institute of Musicology, 1972), 147–59.

• [+] Grove Anonymous #35: CoussemakerS, iii, Anon.7; De diversis maneriebus [manieribus] in musica mensurabili.

  • Anonymous – De diversis manieribus in musica mensurabili (ano7ddm)

    Source: Anonymus de valore notvlarum tam veteris qvam novae artis (Ms. Paris, Bibl. Nat., lat. 15128); Anonymus compendium mvsicae mensvrabilis tam veteris qvam novae artis (Ms. Paris, Bibl. Nat., lat. 15128); Anonymus de diversis maneriebvs in mvsica mensvrabili (Ms. Saint-Dié, Bibl. Municipale 42), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 30 (n.p.: American Institute of Musicology, 1982), 51–62.

  • Anonymous VII – De diversis maneriebus in musica mensurabili (ano7ded)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:404–8.

• [+] Grove Anonymous #36: CoussemakerS, iii, Anon.8; Regulae de contrapuncto.

  • Anonymous VIII – Regulae de contrapuncto (ano8reg)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:409–11.

• [+] Grove Anonymous #38: CoussemakerS, iii, Anon.10; De minimis notulis.

  • Anonymous X – De minimis notulis (ano10dem)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:413–15.

• [+] Grove Anonymous #39: CoussemakerS, iii, Anon.11; Tractatus de musica plana et mensurabili.

  • Anonymous XI – [Tractatus de musica plana et mensurabili] (ano11tdm)

    Source: Richard J. Wingell, "Anonymous XI (CS III): An Edition, Translation, and Commentary," 3 vols. (Ph.D. dissertation, University of Southern California, 1973): 1:1–173.

  • Anonymous XI – Tractatus de musica plana et mensurabili (ano11tra)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:416–75.

• [+] Grove Anonymous #40: CoussemakerS, iii, Anon.12; Tractatus de musica.

  • Anonymous – Tractatus cantus figurati (ano12tcf)

    Source: Anonymus, Tractatus et compendium cantus figurati (Mss. London, British Libr., Add. 34200; Regensburg, Proskesche Musikbibl., 98 th. 4o), ed. Jill M. Palmer, Corpus scriptorum de musica, vol. 35 (n.p.: American Institute of Musicology; Hänssler Verlag, 1990), 41–93.

  • Anonymous XII – Tractatus de musica (ano12tra)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:475–95.

• [+] Grove Anonymous #42: CoussemakerS, iv, Anon.1; Tractatus de musica figurata et de contrapuncto.

  • Anonymous – Tractatus de musica figurata et de contrapuncto ab anonymo auctore (tradem)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:434–69.

• [+] Grove Anonymous #43: Crawford anon; Compendium musices.

  • Anonymous – Compendium musices (anocmu)

    Source: Anonymus, Compendium musices, Venetiis, 1499-1597, ed. David Crawford, Corpus scriptorum de musica, vol. 33 (n.p.: American Institute of Musicology, 1985), 36–57.

• [+] Grove Anonymous #44: Czagány anon.; Terminorum musicalium diffinitorium.

  • Anonymous – Terminorium musicalium diffinitorium anonymi (anoter)

    Source: Zsuzsa Czagány, "Ein Diffinitorium musicum aus dem späten 15. Jahrhundert," in International Musical Society Study Group Cantus Planus: Papers Read at the Fourth Meeting, Pécs, Hungary, 3-8 September 1990 (Budapest: Hungarian Academy of Sciences, Institute for Musicology, 1992): 132–39.

• [+] Grove Anonymous #45: Debenedetti anon.; Capitulum de vocibus applicatis verbis.

  • Anonymous – [Capitulum de vocibus applicatis verbis] (anocap)

    Source: Santorre Debenedetti, "Un trattatello del secolo XIV sopra la poesia musicale," Studi medievali 2 (1906-7): 79–80.

• [+] Grove Anonymous #46: Ellsworth anonymi.

  • Anonymous – Berkeley Manuscript (berman)

    Source: The Berkeley Manuscript, ed. and trans. by Oliver B. Ellsworth, Greek and Latin Music Theory, vol. 2 (Lincoln: University of Nebraska Press, 1984), 30–246.

  • Anonymous – [De litteris, de deduccionibus, de modis, de speciebus] (berman1_mlbl2322)

    Source: London, British Library, Additional 23220, ff. 1r–7r.

  • Anonymous – [De discantu] (berman2_mlbl2322)

    Source: London, British Library, Additional 23220, ff. 7r–11v.

  • Anonymous – [De cognicione notulorum] (berman3_mlbl2322)

    Source: London, British Library, Additional 23220, ff. 11v–14r.

  • Anonymous – [De discantu, proportionibus et tonis] (berman4_mbavr114)

    Source: Rome, Biblioteca Apostolica Vaticana, Reginensis lat. 1146, ff. 46r–55r.

• [+] Grove Anonymous #48: Federhofer-Königs anon.

  • Anonymous – [Musica disciplina] (anomusd)

    Source: Renate Federhofer-Königs, "Ein unvollständiger Musiktraktat des 14. Jahrhunderts in Ms. 1201 der Universitätsbibliothek Graz," Kirchenmusikalisches Jahrbuch 44 (1960): 14–19.

• [+] Grove Anonymous #49: Federhofer-Königs anon.

  • Anonymous – [Tractatus de musica] (anomic)

    Source: Renate Federhofer-Königs, "Ein anonymer Musiktraktat aus der 2. Hälfte des 14. Jahrhunderts in der Stiftsbibliothek Michaelbeuern/Salzburg," Kirchenmusikalisches Jahrbuch 46 (1962): 44–54.

  • Anonymous – [Versus de musica] (anoverp)

    Source: Alexander Rausch, "Mensuraltraktate des Spätmittelalters in Österreichischen Bibliotheken," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 2001): 284–91.

• [+] Grove Anonymous #50: Feldmann anon.; Regulae generales de compositione cantus.

  • Anonymous – Regulae generales de compositione cantus (anorege)

    Source: Fritz Feldmann, Musik und Musikpflege im mittelalterlichen Schlesien, Darstellungen und Quellen zur schlesischen Geschichte, Band 37 (Breslau: Trewendt und Granier, 1938), 193–94.

• [+] Grove Anonymous #51: Ficker anon.; Ars organi [Vatican Organum Treatise].

  • Anonymous – Ars organi (arsorg)

    Source: Irving Godt and Benito V. Rivera, "The Vatican Organum Treatise: A Color Reproduction, Transcription, and Translation," in Gordon Athol Anderson (1929-1981) in memoriam von seinen Studenten, Freunden und Kollegen, 2 vols. (Henryville, PA: Institute of Mediaeval Music, Ltd., 1984): 2:293–345/11.

• [+] Grove Anonymous #52: Gallo anonymi 1966.

  • Anonymous – Capitulum de semibrevibus (anosemi)

    Source: F. Alberto Gallo, Mensurabilis musicae tractatuli, Antiquae musicae italicae scriptores, vol. 1 (Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966), 15.

  • Anonymous – Musice compilatio (anomusc)

    Source: F. Alberto Gallo, Mensurabilis musicae tractatuli, Antiquae musicae italicae scriptores, vol. 1 (Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966), 63–75.

  • Anonymous – Tractatulus de figuris et temporibus (anofit)

    Source: F. Alberto Gallo, Mensurabilis musicae tractatuli, Antiquae musicae italicae scriptores, vol. 1 (Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966), 79–85.

  • Anonymous – Fragmentum de mensuris (anofram)

    Source: F. Alberto Gallo, Mensurabilis musicae tractatuli, Antiquae musicae italicae scriptores, vol. 1 (Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966), 51–52.

  • Anonymous – [Fragmentum de proportionibus] (anofrap)

    Source: F. Alberto Gallo, Mensurabilis musicae tractatuli, Antiquae musicae italicae scriptores, vol. 1 (Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966), 55.

  • Anonymous – Capitulum de modo accipiendo (anocapm)

    Source: F. Alberto Gallo, Mensurabilis musicae tractatuli, Antiquae musicae italicae scriptores, vol. 1 (Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966), 59.

• [+] Grove Anonymous #53: Gallo anon.

  • Anonymous – Compendium musicae mensurabilis artis antiquae (anocom)

    Source: Petrus Picardus, Ars motettorum compilata breviter, ed. F. Alberto Gallo; Anonymus, Ars musicae mensurabilis secundum Franconem (Mss. Paris, Bibl. Nat., lat. 15129; Uppsala, Universiteitsbibl., C 55), ed. Gilbert Reaney and André Gilles; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Faenza, Biblioteca Comunale 117), ed. F. Alberto Gallo, Corpus scriptorum de musica, vol. 15 ([Rome]: American Institute of Musicology, 1971), 66–72.

• [+] Grove Anonymous #54: Gallo anon.

  • Anonymous – Tractatulus de cantu mensurali seu figurativo musice artis (anotra)

    Source: Anonymus, Tractatulus de cantu mensurali seu figurativo musice artis (MS. Melk, Stiftsbibliothek 950), ed. F. Alberto Gallo, Corpus scriptorum de musica, vol. 16 ([Rome]: American Institute of Musicology, 1971), 11–37.

• [+] Grove Anonymous #55: GerbertS, i, Anon.1; Musica.

  • Berno Augiensis – De mensurando monochordo (berndem)

    Source: Bernonis Augiensis Abbatis De arte musica disputationes traditae: De mensurando monochordo, ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/VIa (Buren: Knuf, 1978), 27, 42–55, 59, 61, 65, 67, 71, 73, 75, 77, 84–85, 91–92, 95, 103–4,111–14, and 116–19.

  • Anonymous I – Musica (ano1mu)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:673–82.

  • Anonymous I – Musica (ano1mus)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:330–38.

• [+] Grove Anonymous #56: GerbertS, i, Anon.2; Tractatus de musica.

  • Anonymous II – Tractatus de musica (ano2trdm)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:681–86.

  • Anonymous II – Tractatus de musica (ano2tdm)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:338–42.

  • Anonymous – [Versus de tonis] (anovdt)

    Source: Hans Müller, "Bruchstücke aus der mittelalterlichen Musiktheorie," Vierteljahresschrift für Musikwissenschaft 1 (1885): 172–73.

• [+] Grove Anonymous #57: GerbertS, i, Anon.3; Fragmentum musices.

  • Anonymous III – Fragmentum musices (ano3fra)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:343–44.

  • Anonymous III – Fragmentum musices (ano3fram)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:685–88.

• [+] Grove Anonymous #58: GerbertS, i, Anon.4; Mensura monochordi Boetii.

  • Anonymous – Mensura monochordi Boetii (anommb)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:687–92.

  • Anonymous – Mensura monochordi Boetii (anomen)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:344–48.

• [+] Grove Anonymous #59: GerbertS, i, Anon.5; Monacho qua mente sit psallendum.

  • Anonymous – Monacho qua mente sit psallendum (monpsal)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:4–5.

• [+] Grove Anonymous #60: GerbertS, i, Anon.6; Instituta patrum de modo psallendi sive cantandi.

  • Anonymous – Instituta patrum de modo psallendi sive cantandi (patpsal)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:5–8.

• [+] Grove Anonymous #61: GerbertS, i, Anon.7; Alia musica.

  • Anonymous – Alia musica (aliamu)

    Source: Jacques Chailley, ed., Alia musica (Traité de musique du IXe siècle): Edition critique commentée avec une introduction sur l'origine de la nomenclature modale pseudo-grecque au Moyen-Age (Paris: Centre de documentation universitaire et Société d'édition d'enseignement supérieur réunis, 1965), 85–88, 90–97, 99–111, 113–18, 120–30, 133–45, 147–74, 176–81, and 183–212.

  • Anonymous – Alia musica (alimu)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:929–58.

  • Anonymous – Alia musica (alimus)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:125–52.

  • Anonymous – Alia musica (alimusi)

    Source: Edmund Brooks Heard, "Alia musica: A Chapter in the History of Music Theory" (Ph.D. dissertation, University of Wisconsin, 1966): 119–229 (odd only).

• [+] Grove Anonymous #62: GerbertS, i, Anon.9; Commemoratio brevis de tonis et psalmis modulandis.

  • Anonymous – Commemoratio brevis de tonis et psalmis modulandis (anocomb)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:213–29.

  • Anonymous – Commemoratio brevis de tonis et psalmis modulandis (anocobr)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:1025–42.

  • Anonymous – Commemoratio brevis de tonis et psalmis modulandis (anocbt)

    Source: Terence Bailey, ed., Commemoratio brevis de tonis et psalmis modulandis: Introduction, Critical Edition, Translation, Ottawa Mediaeval Texts and Studies, vol. 4 (Ottawa: University of Ottawa Press, 1979), 26–106 (even only).

  • Anonymous – Commemoratio brevis de tonis et psalmis modulandis (anocmb)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981), 157–78.

• [+] Grove Anonymous #63: GerbertS, ii, Anon.1; De mensura fistularum in organis.

  • Anonymous – De mensura fistularum in organis (anofis)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:283–87.

  • Anonymous – [Mensura cymbalorum] (anocym)

    Source: J. Smits van Waesberghe, ed., Cymbala (Bells in the Middle Ages), Musicological Studies and Documents, vol. 1 (Rome: American Institute of Musicology, 1951), 37–61.

• [+] Grove Anonymous #64: Gilles anon.; De musica plana breve compendium.

  • Anonymous – De plana musica breve compendium (anodmp)

    Source: André Gilles, "De musica plana breve compendium (Un témoignage de l'enseignement de Lambertus)," Musica disciplina 43 (1989): 39–51.

  • Anonymous – De plana musica (anodpm_mpbn1512)

    Source: Paris, Bibliothèque nationale, lat. 15128, ff. 124r–127r.

• [+] Grove Anonymous #65: M.L. Göllner anonymi.

  • Anonymous – Practica musicae artis mensurabilis (anopra)

    Source: Marie Louise Göllner, ed., The Manuscript Cod. lat. 5539 of the Bavarian State Library, Musicological Studies and Documents, vol. 43 (Neuhausen-Stuttgart: Hänssler-Verlag, American Institute of Musicology, 1993), 101–8.

  • Anonymous – [Tractatulus de musica] (anocadi)

    Source: Marie Louise Göllner, ed., The Manuscript Cod. lat. 5539 of the Bavarian State Library, Musicological Studies and Documents, vol. 43 (Neuhausen-Stuttgart: Hänssler-Verlag, American Institute of Musicology, 1993), 110–13.

• [+] Grove Anonymous #67: T. Göllner anon.

  • Anonymous – Nota regulas super tactus (anonot)

    Source: Theodor Göllner, “Eine Spielanweisung für Tasteninstrumente aus dem 15. Jahrhundert,” in Essays in Musicology. A Birthday Offering for Willi Apel, ed. Hans Tischler (Bloomington: School of Music, Indiana University, 1968), 70–71.

• [+] Grove Anonymous #69: Gümpel anonymi 1968.

  • Anonymous – Ars musice (anoam)

    Source: Karl-Werner Gümpel, "Zur Frühgeschichte der vulgärsprachlichen spanischen und katalanischen Musiktheorie," in Gesammelte Aufsätze zur Kulturgeschichte Spaniens, ed. Johannes Vincke, Spanische Forschungen der Görresgesellschaft, I/24 (Münster: Aschendorff, 1968): 326–29.

• [+] Grove Anonymous #70: Gümpel anonymi 1978.

  • Anonymous – [Miscellanea] (anospi)

    Source: Karl-Werner Gümpel, "Spicilegium Rivipullense," Archiv für Musikwissenschaft 35 (1978): 57–61.

• [+] Grove Anonymous #71: Gümpel anon.

  • Anonymous – Cartula de cantu plano (anocar)

    Source: Karl-Werner Gümpel, "Gregorianischer Gesang und Musica ficta: Bemerkungen zur spanischen Musiklehre des 15. Jahrhunderts," Archiv für Musikwissenschaft 47 (1990): 144–47.

• [+] Grove Anonymous #73: Gümpel and Sachs anon.

  • Anonymous – Contrapunctus (anovic)

    Source: Karl-Werner Gümpel and Klaus-Jürgen Sachs, "Der anonyme Contrapunctus-Traktat aus Ms. Vich 208," Archiv für Musikwissenschaft 31 (1974): 93–97.

• [+] Grove Anonymous #74: Gümpel and Sachs anon.

  • Anonymous – Species plani cantus sunt terdecim (anospe)

    Source: Karl-Werner Gümpel and Klaus-Jürgen Sachs, "Das Manuskript Girona 91 und sein Contrapunctus-Traktat," Archiv für Musikwissenschaft 45 (1988): 193–96.

• [+] Grove Anonymous #75: Guentner anon.

  • Anonymous – Epistola Sancti Bernardi De revisione cantus Cisterciensis, et Tractatus cantum quem Cisterciensis Ordinis ecclesiae cantare (berepi)

    Source: Epistola S. Bernardi De revisione cantus Cisterciensis, et Tractatus Cantum quem Cisterciensis Ordinis ecclesiae cantare, ed. F. J. Guentner, Corpus scriptorum de musica, vol. 24 ([Rome]: American Institute of Musicology, 1974), 21–41.

• [+] Grove Anonymous #76: Hammerstein anon.; Epistola ad Dardanum [Pseudo-Jerome].

  • Hieronymus [Ps.] – Epistola ad Dardanum (hierinst)

    Source: Reinhold Hammerstein, "Instrumenta Hieronymi," Archiv für Musikwissenschaft 16 (1959): 120–22, 124–25, 127, 129–31.

• [+] Grove Anonymous #77: Handschin anon.

  • Anonymous – [Tractatus de organo] (anoorg)

    Source: Fred Blum, "Another Look at the Montpellier Organum Treatise," Musica disciplina 13 (1959): 21–24.

  • Anonymous – [Tractatus de organo] (anomon)

    Source: Jacques Handschin, "Der Organum-Traktat von Montpellier," in Studien zur Musikgeschichte. Festschrift für Guido Adler zum 75. Geburtstag (Wien: Universal, 1930): 50–51.

  • Anonymous – [Tractatus de organo] (anomont)

    Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 187–88.

• [+] Grove Anonymous #78: Handschin anon.

  • Anonymous – De organo mediolanensi (anoorme)

    Source: Jacques Handschin, "Aus der alten Musiktheorie III. Zur Ambrosianischen Mehrstimmigkeit," Acta musicologica 15 (1943): 5–6.

• [+] Grove Anonymous #79: Handschin anon.

  • Anonymous – Volens facere clavicordium (anovol)

    Source: Jacques Handschin, "Aus der alten Musiktheorie," Acta musicologica 16-17 (1944-45): 7–9.

• [+] Grove Anonymous #80: Huglo anon.

  • Anonymous – [Tractatus de cantu mensurabili] (anocant)

    Source: Michel Huglo, "Le traité de cantus mensurabilis du manuscrit de Bamberg," in Pax et Sapientia: Studies in Text and Music of Liturgical Tropes and Sequences in Memory of Gordon Anderson, ed. Ritva Jacobsson, Acta universitatis stockholmiensis, Studia latina stockholmiensia, vol. 29 (Stockholm: Almqvist & Wiksell, 1986): 94–95.

• [+] Grove Anonymous #81: Kellner anon.

  • Anonymous – [De musica mensurata] (anobri)

    Source: P. Altman Kellner, "Ein Mensuraltraktat aus der Zeit um 1400," Anzeiger der Oesterreichischen Akademie der Wissenschaften, philosophisch-historische Klasse 94 (1957): 73–85.

  • Anonymous – [De musica mensurata] (anobrig)

    Source: Alexander Rausch, "Mensuraltraktate des Spätmittelalters in Österreichischen Bibliotheken," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 2001): 293–303.

• [+] Grove Anonymous #82: LaFageE, Anonymi 1.

  • Anonymous – Fragmenta musica (anofra)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 67–78.

• [+] Grove Anonymous #83: LaFageE, Anon.2.

  • Anonymous – De cantibus quae supra modum intenduntur vel remittuntur (anocan)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 87–89.

• [+] Grove Anonymous #84: LaFageE, Anonymi 3.

  • Anonymous – Liber argumentorum (anoarg)

    Source: Expositiones in Micrologum Guidonis Aretini, ed. Joseph Smits van Waesberghe, Musicologica medii aevi, vol. 1 (Amsterdam: North-Holland Publishing Company, 1957), 19–30.

  • Anonymous – Fragmenta musica (anofra2)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 185–94.

  • Anonymous – [Miscellanea] (anospi)

    Source: Karl-Werner Gümpel, "Spicilegium Rivipullense," Archiv für Musikwissenschaft 35 (1978): 57–61.

• [+] Grove Anonymous #85: LaFageE, Anon.4.

  • Anonymous – Musicae liber (anomus)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 241–48.

• [+] Grove Anonymous #86: LaFageE, Anonymi 5.

  • Anonymous – Fragmenta musica (anofra3)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 275–79, 281–84, 286–88.

• [+] Grove Anonymous #87: LaFageE, Anon.6; De musica.

  • Anonymous – De musica (anofra4)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 346–50.

• [+] Grove Anonymous #88: LaFageE, Anon.7 [De La Fage anon., St Martial anon.].

  • Anonymous – Tractatus de musica (anofra5)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 355–62.

  • Anonymous – [Tractatus de musica] (anolaf)

    Source: Albert Seay, "An Anonymous Treatise from St. Martial," Annales musicologiques 5 (1957): 13–42.

• [+] Grove Anonymous #89: LaFageE, Anon.8.

  • Ciconia, Johannes – Nova musica (cicnm)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 375–83.

• [+] Grove Anonymous #90: LaFageE, Anon.9.

  • Joannes Presbyter – De musica antica et moderna (joamus)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 393–407.

• [+] Grove Anonymous #91: LaFageE, Anon.10.

  • Anonymous – De musica (anomus2)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 423–28.

• [+] Grove Anonymous #92: Mettenleiter Anon.2; Regulae de musica.

  • Anonymous – [Regulae de musica] (metano2)

    Source: Dominicus Mettenleiter, Musikgeschichte der Stadt Regensburg (Regensburg: J. G. Bössenecker, 1866), 61–70 partim.

• [+] Grove Anonymous #93: Mettenleiter Anon.3; Ratisbonensis cuiusdam ars musica.

  • Anonymous – Ars musica (metano3)

    Source: Dominicus Mettenleiter, Musikgeschichte der Stadt Regensburg (Regensburg: J. G. Bössenecker, 1866), 70–78 partim.

  • Anonymous – [Ars musica] (anoarsmu)

    Source: Marie Louise Göllner, ed., The Manuscript Cod. lat. 5539 of the Bavarian State Library, Musicological Studies and Documents, vol. 43 (Neuhausen-Stuttgart: Hänssler-Verlag, American Institute of Musicology, 1993), 69–94.

• [+] Grove Anonymous #95: Meyer anon.

  • Anonymous – [Tractatus de contrapuncto et de musica mensurabili] (anotdcdm)

    Source: Anonymus, Tractatus de contrapuncto et de musica mensurabili (Mss. Munich, Staatsbibliothek, Clm. 16208 et 24809), ed. Christian Meyer, Corpus scriptorum de musica, vol. 40 (n.p.: American Institute of Musicology; Haenssler-Verlag, 1995), 47–71.

• [+] Grove Anonymous #96: Meyer anonymi 1997.

  • Anonymous – Ars et practica cantus figurativi (anoapc)

    Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 36–47.

  • Anonymous – [Regulae cantandi contrapunctum] (anorcc)

    Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 50–52.

  • Anonymous – [Regulae contrapuncti] (anorcpt)

    Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 90–96.

  • Anonymous – [Regulae de contrapuncto] (anordc)

    Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 74–76.

  • Anonymous – Iuxta artem conficiendi [compositiones] (anoiux)

    Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 98–115.

  • Anonymous – De vera et compendiosa seu regulari constructione contrapuncti et de pluribus viciis a pluribus ignaris comittendis seu commissis ab autoribus prohibitis (anodvc)

    Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 58–65.

  • Anonymous – [Excerpta de consonantiis et de contrapuncto] (anoexc)

    Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 86–87.

  • Anonymous – De consonantia et dissonantia (anodcd)

    Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 78–79.

  • Anonymous – De contrapuncto (anodcon)

    Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 54–55.

  • Anonymous – De contrapuncto plano (anodcp)

    Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 68–72.

  • Anonymous – De formatione contrapuncti tales dantur regulae (anodfc)

    Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 82–83.

• [+] Grove Anonymous #97: Michels anon.

  • Anonymous OP – Tractatus de musica (anoptra)

    Source: Ulrich Michels, "Der Musiktraktat des Anonymus OP: Ein frühes Theoretiker-Zeugnis der Ars nova," Archiv für Musikwissenschaft 26 (1969): 56–62.

• [+] Grove Anonymous #98: Moberg anon.; Tractatus brevis de musica mensurata.

  • Anonymous – [Tractatus brevis de musica mensurata] (anoups3)

    Source: Carl Allan Moberg, "Om flerstämmig musik i Sverige under medeltiden," Svensk Tidskrift för Musikforskning 10 (1928): 82–86.

• [+] Grove Anonymous #99: Müller anon 1884 [Müller Anon.1, Cologne Organum Treatise].

  • Anonymous – Cologne Organum Treatise (colorg)

    Source: Hans Müller, ed., Hucbalds echte und unechte Schriften über Musik (Leipzig: B. G. Teubner, 1884), 79–80.

  • Anonymous – Cologne Organum Treatise (colorgr)

    Source: Hugo Riemann, Geschichte der Musiktheorie im IX.-XIX. Jahrhundert (Berlin: Hesse, 1898), 20.

  • Anonymous – Cologne Organum Treatise (colorgs)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981), 222–23.

• [+] Grove Anonymous #100: Müller anon.

  • Dietricus – Regulae super discantum et ad discernendum ipsas notas discantus (diereg)

    Source: Hans Müller, Eine Abhandlung über Mensuralmusik in der Karlsruher Handschrift St. Peter pergamen. 29a, Mittheilungen aus der Grossherzoglich Badischen Hof- und Landesbibliothek und Münzsammlung, Band 4 (Leipzig: B. G. Teubner, 1886), 5–7.

• [+] Grove Anonymous #101: Palmer anon.; Tractatus de musica compendium cantus figurati.

  • Anonymous – [Compendium secundum famosiores musicos] (anofmus_msavi44)

    Source: Salzburg, St. Peter's Abbey, a.VI.44, ff. 68v–75r.

  • Anonymous – Tractatus de musica compendium cantus figurati (anocomp)

    Source: Jill Palmer, "A Late Fifteenth-Century Anonymous Mensuration Treatise (Ssp) Salzburg, Erzabtei St. Peter, a VI 44, 1490; cod. pap.; 206 x 149 mm. 75ff.," Musica disciplina 39 (1985): 89–103. Text copyright 1986.

• [+] Grove Anonymous #102: Pannain anon.; Liber musicae [Schneider anon., British Museum anon.].

  • Anonymous – Liber musicae (anolibm)

    Source: G. Pannain, "Liber musicae. Un teorico anonimo del XIV secolo." Rivista musicale Italiana 27 (1920): 409–39.

• [+] Grove Anonymous #104: Reaney anon.

  • Anonymous – De origine et effectu musice (anoori_mlbll763)

    Source: London, British Library, Lansdowne 763, ff. 55v–59r.

  • Anonymous – De origine et effectu musicae (anooref)

    Source: Gilbert Reaney, "The Anonymous Treatise De origine et effectu musicae, an Early 15th Century Commonplace Book of Music Theory," Musica disciplina 37 (1983): 109–19. Text copyright 1985.

• [+] Grove Anonymous #105: Reaney anon.

  • Anonymous – Tractatus de contrapuncto (anotdc)

    Source: Johannes Hothby, Opera omnia de proportionibus; Anonymus, Tractatus de contrapuncto (Ms. Venice, lat. VIII.82, coll. 3047), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 39 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 44–58.

• [+] Grove Anonymous #106: Riemann anon.

  • Anonymous – Introductorium musicae (anoleip)

    Source: Hugo Riemann, "Anonymi Introductorium musicae (c. 1500)," Monatshefte für Musikgeschichte 29 (1897): 149-54, 157-64; 30 (1898): 1–8, 11–19.

• [+] Grove Anonymous #108: Ristory anonymi 1987.

  • Anonymous – Compendium musicae mensurabilis artis antiquae (anocomm)

    Source: Johannes dictus Balloce, Abreviatio magistri Franconis; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Saint-Dié, Bibl. Municipale, 42), ed. Gilbert Reaney; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Wien, Nationalbibl., 5003); Anonymus, Tractatus artis antiquae cum explicatione mensurae binariae (Ms. Wien, Nationalbibl., 5003), ed. Heinz Ristory, Corpus scriptorum de musica, vol. 34 (n.p.: American Institute of Musicology, 1987), 49–58.

  • Anonymous – Tractatus artis antiquae cum explicatione mensurae binariae (anotaa)

    Source: Johannes dictus Balloce, Abreviatio magistri Franconis; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Saint-Dié, Bibl. Municipale, 42), ed. Gilbert Reaney; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Wien, Nationalbibl., 5003); Anonymus, Tractatus artis antiquae cum explicatione mensurae binariae (Ms. Wien, Nationalbibl., 5003), ed. Heinz Ristory, Corpus scriptorum de musica, vol. 34 (n.p.: American Institute of Musicology, 1987), 69–73.

• [+] Grove Anonymous #109: Ristory anonymi 1996.

  • Anonymous – Tractatulus de mensurationum (anotram)

    Source: Antonius de Luca, Ars cantus figurati; Anonymus, Capitulum de quattuor mensuris; Anonymus, Tractatulus mensurationum; Anonymus, Compendium breve de proportionibus; Anonymus, Tractatulus prolationum cum tabulis, ed. Heinz Ristory, Corpus scriptorum de musica, vol. 38 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 66–73.

  • Anonymous – Tractatulus prolationum cum tabulis (anotpt)

    Source: Antonius de Luca, Ars cantus figurati; Anonymus, Capitulum de quattuor mensuris; Anonymus, Tractatulus mensurationum; Anonymus, Compendium breve de proportionibus; Anonymus, Tractatulus prolationum cum tabulis, ed. Heinz Ristory, Corpus scriptorum de musica, vol. 38 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 84–92.

  • Anonymous – Capitulum de quattuor mensuris (anocqm)

    Source: Antonius de Luca, Ars cantus figurati; Anonymus, Capitulum de quattuor mensuris; Anonymus, Tractatulus mensurationum; Anonymus, Compendium breve de proportionibus; Anonymus, Tractatulus prolationum cum tabulis, ed. Heinz Ristory, Corpus scriptorum de musica, vol. 38 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 62–63.

  • Anonymous – Compendium breve de proportionibus (anocbp)

    Source: Antonius de Luca, Ars cantus figurati; Anonymus, Capitulum de quattuor mensuris; Anonymus, Tractatulus mensurationum; Anonymus, Compendium breve de proportionibus; Anonymus, Tractatulus prolationum cum tabulis, ed. Heinz Ristory, Corpus scriptorum de musica, vol. 38 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 76–81.

• [+] Grove Anonymous #110: Schmid anon.

  • Anonymous – [Compendium breve artis musicae] (anocbam)

    Source: Bernhold Schmid, "Ein Mensuralkompendium aus der Handschrift Clm 24809," in Quellen und Studien zur Musiktheorie des Mittelalters, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 8 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1990): 74–76.

• [+] Grove Anonymous #111: Schmid anon.

  • Anonymous – [Tractatus de musica mensurabili] (anotdmm)

    Source: Bernhold Schmid, "Der Musiktraktat aus Clm 26812," in Quellen und Studien zur Musiktheorie des Mittelalters, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 8 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1990): 82–98.

• [+] Grove Anonymous #113: Seay anon.

  • Anonymous – Jesus. Libellus musicae adiscendae valde utilis et est dialogus. Discipulus et magister sunt locutores (anolib)

    Source: Anonymus. Ex codice Vaticano lat. 5129, ed. Albert Seay, Corpus scriptorum de musica, vol. 9 ([Rome]: American Institute of Musicology, 1964), 21–48.

• [+] Grove Anonymous #114: Seay anon.

  • Anonymous – Quaestiones et solutiones advidendum tam mensurabilis cantus quam immensurabilis musica (anoqs)

    Source: Anonymous (15th Century), Quaestiones et solutiones, ed. Albert Seay, Critical Texts, no. 2 (Colorado Springs: Colorado College Music Press, 1977).

• [+] Grove Anonymous #116: Smits van Waesberghe anon.

  • Anonymous – Commentum super tonos (anocst)

    Source: De numero tonorum litterae episcopi A. ad coepiscopum E. missae ac Commentum super tonos episcopi E. (ad 1000), ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/I (Buren: Knuf, 1975), 24–93 (even pages only).

  • Anonymous – Commentum super tonos (anocsto)

    Source: De numero tonorum litterae episcopi A. ad coepiscopum E. missae ac Commentum super tonos episcopi E. (ad 1000), ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/I (Buren: Knuf, 1975), 24–93 (odd pages only).

• [+] Grove Anonymous #117: Sowa anon.

  • Anonymous – De expositione musice (ano1279)

    Source: Heinrich Sowa, ed., Ein anonymer glossierter Mensuraltraktat 1279, Königsberger Studien zur Musikwissenschaft, vol. 9 (Kassel: Bärenreiter, 1930), 1–132.

  • Anonymous – De musica mensurata (anodmm)

    Source: De musica mensurata: The Anonymous of St. Emmeram, ed. and trans. Jeremy Yudkin, Music: Scholarship and Performance (Bloomington: Indiana University Press, 1990), 64-288 (even), 338–48.

• [+] Grove Anonymous #118: Sowa anonymi 1933.

  • Anonymous – [Marginalia] (anomarg)

    Source: Heinrich Sowa, "Zur Handschrift Clm 9921," Acta musicologica 5 (1933): 61–63, 65, 107–8, 110–11, 113–19.

• [+] Grove Anonymous #119: Sowa anon.

  • Anonymous – De musica et de transformatione specialiter (anodmt)

    Source: Heinrich Sowa, Quellen zur Transformation der Antiphonen: Tonar- und Rhythmusstudien (Kassel: Bärenreiter, 1935), 154–60.

• [+] Grove Anonymous #120: Staehelin anon.

  • Anonymous – [Tractatus de musica] (anotdm)

    Source: Martin Staehelin, "Beschreibungen und Beispiele musikalischer Formen in einem unbeachteten Traktat des frühen 15. Jahrhunderts" Archiv für Musikwissenschaft 31 (1974): 239.

• [+] Grove Anonymous #121: Steglich anon.; Quaestiones in musica [Pseudo-Rodulfus of St Trond].

  • Rudolf of St. Trond – Quaestiones in musica (rudqua)

    Source: Rudolf Steglich, ed., Die Quaestiones in musica: Ein Choraltraktat des zentralen Mittelalters und ihr mutmasslicher Verfasser Rudolf von St. Trond (1070-1138) (Leipzig: Breitkopf und Härtel, 1911), 12–99.

• [+] Grove Anonymous #122: Sweeney anon.; De semibrevibus caudatis.

  • Anonymous – De semibrevibus caudatis (anosem)

    Source: Anonymus, De musica mensurabili, ed. Cecily Sweeney; Anonymus, De semibrevibus caudatis, ed. André Gilles and Cecily Sweeney, Corpus scriptorum de musica, vol. 13 ([Rome]: American Institute of Musicology, 1971), 65–79.

• [+] Grove Anonymous #123: Van Dijk anon.; Rubrica de modo cantandi et psallendi divinum officium.

  • Anonymous – [Versus de musica] (anover)

    Source: S. A. van Dijk, "Saint Bernard and the Instituta Patrum of Saint Gall," Musica disciplina 4 (1950): 109.

• [+] Grove Anonymous #124: Vecchi anon.; Rubrice breves.

  • Anonymous – Rubrice brevis (anorub)

    Source: G. Vecchi, "Anonimi Rubrice brevis," Quadrivium 10 (1969): 128–34.

• [+] Grove Anonymous #125: Vetter anon.; Summula tractatus metricus de musica glossis commentarioque instructus.

  • Anonymous – Summula (anosum)

    Source: Summula tractatus metricus de musica glossis commentarioque instructus, ed. Eddie Vetter, Divitiae musicae artis, A/VIIIa (Buren: Knuf, 1988), 39–101.

  • Henricus Helene – Summula (hehesum_mlbl2322)

    Source: London, British Library, Additional 23220, ff. 22r–28v.

• [+] Grove Anonymous #126: Wagner anon.

  • Anonymous – Quid est cantus? (anoquid)

    Source: Peter Wagner, "Un piccolo trattato sul canto ecclesiastico," Rassegna gregoriana 3 (1904): 482–84.

• [+] Grove Anonymous #127: Wagner anon.

  • Anonymous – [Tractatulus de musica] (anotrdmw)

    Source: Peter Wagner, "Aus dem St. Thomas-Archiv zu Leipzig," Zeitschrift für Musikwissenschaft 12 (1929): 129–37.

• [+] Grove Anonymous #128: Wolf anon.

  • Anonymous – Tractatus cuiusdam monachi de musica (wfanon1)

    Source: Johannes Wolf, "Ein anonymer Musiktraktat des elften bis zwölften Jahrhunderts," Vierteljahresschrift für Musikwissenschaft 9 (1893): 194–226.

• [+] Grove Anonymous #129: Wolf anonymi 1893b [Wolf Anon.2, Basel anon., Pseudo- Thomas Aquinas].

  • Anonymous – Ars musice (wfanon2)

    Source: Johannes Wolf, "Anonymi cujusdam Codex Basiliensis," Vierteljahresschrift für Musikwissenschaft 9 (1893): 410–12.

  • Anonymous – Ars musyce (wfanon2b_mbufix54)

    Source: Basel, Universitätsbibliothek, F.IX.54, ff. 1r–4v.

  • Aquinas [Ps.], Thomas – Ars musice (aquars)

    Source: S. Tommaso d'Aquino, Ars musice, ed. Mario di Martino (Naples: Eugenio de Simone, 1933), 23–39.

  • Anonymous – Ars musice armonie (anoarsma_mbufix54)

    Source: Basel, Universitätsbibliothek, F.IX.54, ff. 5r–8v.

• [+] Grove Anonymous #130: Wolf anon.

  • Anonymous – Compendium totius artis motetorum (wfanon3)

    Source: Johannes Wolf, "Ein anonymer Musiktraktat aus der ersten Zeit der 'Ars Nova,'" Kirchenmusikalisches Jahrbuch 21 (1908): 34–38.

• [+] Grove Anonymous #131: Wolf anon.

  • Anonymous – Tractatus de musica mensurabili (wfanon4)

    Source: Johannes Wolf, "Ein Breslauer Mensuraltraktat des 15. Jahrhunderts," Archiv für Musikwissenschaft 1 (1918-19): 331–45.