Uppsala

Handwritten annotations in the Uppsala copy of Choralis II

• Canonic instructions clarified
  • D, Sequence 4 (verse 2), fol. C1r, staff 2 (end): “Altus post medium tempus in hypodiapente”
  • A, Sequence 3 (verse 8), fol. bb3v, staff 3 (beginning):”in unisono post octo tempora”
  • A, Sequence 4 (verse 2), fol. cc1v, staff 5 (beginning): “in Epidiatessaron post medium tempus”
  • A, Sequence 9 (verse 18), fol. gg1v, staff 4 (beginning of verse): “Cantus in diapente post tria tempora”
  • A, Sequence 10 (verse 16), fol. gg4v, staff 3 (beginning): “Discantus post 7. tempora in epidiatessaron”
  • A, Sequence 12 (verse 14), fol. hh4v, staff 4: “Cantus post 4. tempora in epidiapente”
  • T, Sequence 4 (verse 8), fol. C2r, staff 1 (end): “Altus post medium tempus in epidiatessron”
  • T, Introit 6 (verse), fol. D2r, staff 2 (middle): “in diatessaron post medium tempus”
  • B, Sequence 13 (verse 6), fol. HH3r, staff 3: “Altus post tempus in diapason”

• Cue notes for voices entering after a D incipit:
  Small black breves with fermatas after clef and flat (if any) and before mensuration sign (if any); occasionally after mensuration sign if there is no room before it. Pitches correspond to the last note of the incipit and are notated in both octaves where two octaves fit on the staff.
  • A, All numbers from beginning through Introit 15 (fol. kk3v) except the following:
    • Introit 1 (verse), fol. aa2r, staff 4: pitch is d’ (rather than e’)
    • Introit 2 (verse), fol. aa4v, staff 1: no cue note
    • Introit 6 (verse), fol. dd3r, staff 1: no cue note
  • T, Introit 6 (verse), fol. D2r, staff 2: d’ cue note for altus (derived from tenor by canon) before mensuration sign
  • T, Communion 12, fol. H1r, staff 3
  • T, Introit 13, fol. H1r, staff 5
  • B, Introit 7, fol. DD4r, staff 5 (cue note in upper octave only)
  • B, Introit 7 (verse), fol. DD4v, staff 3

• Missing mensuration signs added by hand:
  • A, Introit 7 (verse), fol. ee2v, staff 2: 𝄵
  • A, Communion 10, fol. gg4v, staff 4: 𝄵
  • A, Introit 11 (verse), fol. hh1r, staff 5: 𝄵

• Solmization syllables added under incipit
  • D, Communion 19, fol. m2v, staff 1: “re ut re mi fa mi re mi fa re”